Jeff's Note: Another 11th Hour rush job. This drawing's not quite what I was aiming for, but it does evoke a vintage Max Fleisher feel. I can live with that. I've become more comfortable with Photoshop, but still prefer a hybrid of computer and hand-rendered art. The printed version was more detailed.
In a year that made hero-worship almost mandatory, I decided to harken back to days of yesteryear. This story just fell into "the zone" early in the process. Good rhythm, plenty of fun "lists," neat wrap-up. It worked, as I got a lot more positive response than I anticipated. Had to hack off a lot of ideas to keep it short. Maybe I'll post a "Director's Cut."
Uninteresting fact: This marked the second story in three years to be written from a woman's point of view.
I must admit, doing this card was a strange experience for me as it quickly became a team effort. I got a good quantity of much-needed assistance from some folks who know more than I do. Amateur pulp icon historian and occasional lawyer Bob Gelinas gave the tale a once-over, Jennifer Abel (a confirmed obsessive/
compulsive proofreader) did the whole spelling/grammar thing (which they tell me is kinda important), and Mark Vadnais ("The Operating System Who Walks Like A Man") finished the visual imaging and tweaked the master for prnting. Several metric tonnes of thanks go out to them. This year also brings a new font and layout to the card, additional digital art, and the use of a new print shop. As Dr. Caligari said:"Exactly the same, but different in every way."